Bitwig Preset Quad Smash Comp Limit Clip v1

Use the "Input" macro to drive total signal into the chain to acheive maximum loudness and the "Sub", "Low", "Mid", and "High" macros to drive inputs just into those ranges (for more compression clipping). This is a CPU intensive experiment using the freq-split spectral container along with Compressor+, Saturator, Tilt, and Over devices to make a 4-band compressor/limiter/clipper that acts as a strict signal limit while providing a little compression to each band. The Frequency macros just drive more signal into each band pre-fx, and the tilt is applied to only the sidechain of each band's compressor stage. Each band is clipped at 0db and then the master post-fx chain has a strict PCM clip applied at -0.4db by default. This is kind of a clean ceiling that's probably too CPU taxing to be used in a full project, but a good thought-experiment.