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I tried to use as few sound sources as possible for the pad and relied mainly on all-pass filters to stretch the sound and make it behave like a pad, even though it’s just a sine bleep every few seconds. With this, I can play harmonies using only a single oscillator, triggering multiple notes at once. There’s also a deep bass, some random FX shots, and an arp sequence playing now and then. The filtered noise kind of simulates rain and adds a bit more atmosphere.
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